LiM
LANDSCAPES IN MOTION
LiM supports creative indisciplined approaches that fall within,
but are not limited to, the artistic, scientific, agricultural, philosophical and social domains.
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MAZET
It’s a shelter, a roof. It's the shepherd's retreat.
A contained space, where we depart from and come back. It is nonetheless an infinite space that grows when our skills and knowledge grow.
It’s who we are and where we're at.
It combines different aspects of LiM, from archive to office, from kitchen to bedroom, it’s where we gather our researches and from where we share it.
A contained space, where we depart from and come back. It is nonetheless an infinite space that grows when our skills and knowledge grow.
It’s who we are and where we're at.
It combines different aspects of LiM, from archive to office, from kitchen to bedroom, it’s where we gather our researches and from where we share it.
Artists/researchers
Chiharu Mamiya
Felix Mazard
Ger O’Brien
Ghyslaine Gau
Jean Sanchez
Myriam Suchet
Pedro Prazeres
Pedro Pina Vasconcelos
Salah Chick
Shelters
La Baume Haute
Grange aux Lunes
Le Mazaribal
Ferme du Bouges
Le Four à Pain
Limpid Works
Office
president - Myriam Suchet
secretary - Pascale Parouty
treasurer - Isis Olivier
admin - Severine Parouty
Board
Pedro Pina Vasconcelos
Berrak Yedek
Marie Descourtieux
Gerry O’Brien
Chiharu Mamiya
Felix Mazard
Ger O’Brien
Ghyslaine Gau
Jean Sanchez
Myriam Suchet
Pedro Prazeres
Pedro Pina Vasconcelos
Salah Chick
Shelters
La Baume Haute
Grange aux Lunes
Le Mazaribal
Ferme du Bouges
Le Four à Pain
Limpid Works
Office
president - Myriam Suchet
secretary - Pascale Parouty
treasurer - Isis Olivier
admin - Severine Parouty
Board
Pedro Pina Vasconcelos
Berrak Yedek
Marie Descourtieux
Gerry O’Brien
DOLINE
It’s a circular landform that gathers water, giving life to its own ecosystem. A fertile ground where life thrives. It’s a cradle.
It's where we sow and nourish our artistic creations. Where they grow, where they become, and where they live.
From nothing to artistic object, a series of transductions into an art form that can be seen, heard, touched and felt.
It's where we sow and nourish our artistic creations. Where they grow, where they become, and where they live.
From nothing to artistic object, a series of transductions into an art form that can be seen, heard, touched and felt.
> Danse Macabre
> OCTOPIA
> Sundays Pleasures
> l’étrangé.e ou une route difficile et dangereuse
> entre-brisas
> Green Man Day
> Talking Garden
> Desire Lines
> Linha - Line - Ligne
> Velvet Carpet
> OCTOPIA
> Sundays Pleasures
> l’étrangé.e ou une route difficile et dangereuse
> entre-brisas
> Green Man Day
> Talking Garden
> Desire Lines
> Linha - Line - Ligne
> Velvet Carpet
DRAILLE
It’s a drove road, the specific paths where the animals travel. It's a communication channel, the line between and in-between places.
It's a placeless space, the thick territorial line in which we share what we do. It’s a performative and curatorial realm, where our thoughts and ideas become artistic programs and performances.
It’s the linear space that embeds all we produce and share it with the public.
It's a placeless space, the thick territorial line in which we share what we do. It’s a performative and curatorial realm, where our thoughts and ideas become artistic programs and performances.
It’s the linear space that embeds all we produce and share it with the public.
Events
> Paysage,e,s Habité,e,s
> Ce qui dit le Corps
> LiminimiL
> Paysage,e,s Habité,e,s
> Ce qui dit le Corps
> LiminimiL
TRANSHUMANCE
It’s the flow of the animals, the passage between summer and winter pastures.
It's a flux of energy, a transmission of information.
Transhumance is where our abstractions become teaching objects and places.
It's a flux of energy, a transmission of information.
Transhumance is where our abstractions become teaching objects and places.
> Somatic Dialogue
> Landscape Literacy
> Vibrant Matter
> Landscape Literacy
> Vibrant Matter